November - 2021

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RULES AND TERMS

The Ann Arbor Film Festival is open to experimental films as well as films that demonstrate a high regard for the moving image as an experimental art form, no matter the genre. Each year the AAFF selects 100-145 shorts and features for exhibition in the awards competition portion of the festival.

Films previously submitted may not be re-entered unless there has been a significant change to the edit. Later versions of a film may be reviewed and/or selected at the programmer's discretion.

Short and feature-length entries are accepted.

Short films run no longer than 60 minutes. Feature films run 60 minutes or more.

Entries not in English should have English subtitles.

Works in progress may be submitted, but are juried in the same pool as all other submissions.

Work must be contemporary - completed within the last three years.

Entry fees are per film entered, and must accompany the entry form for confirmation. Entry fees are non-refundable.

Make checks and money orders payable to the Ann Arbor Film Festival.

The Ann Arbor Film Festival does not give waivers or discounts.

Entries are accepted via secure online screening and 16mm only. We do not accept DVD, VHS or video data files for screening purposes.

16MM

If you would like the festival to preview a 16mm print of your film, please contact the festival directly at submissions@aafilmfest.org to make arrangements.

Our Blog Posts are currently only available in the English version of our website.
If you are interested in a translation of a blog post,
please reach out to info@aafilmfest.org.

Blog Archive

Report on Ji.hlava Film Conference Participation

Report on Ji.hlava Film Conference Participation

Published November 2, 2021 Last month, I was invited to take part in the 7th Conference Fascinations at the 25th Ji.hlava International Documentary Film Festival. The event organizers designed a series of closed conversations in which to review filmmaker strategies for securing distribution, showing in film festivals, and exhibiting in galleries. I participated in a dialogue that assessed best artist practices for rolling out work at film festivals, with a goal of proposing a

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