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RULES AND TERMS

The Ann Arbor Film Festival is open to experimental films as well as films that demonstrate a high regard for the moving image as an experimental art form, no matter the genre. Each year the AAFF selects 100-145 shorts and features for exhibition in the awards competition portion of the festival.

Films previously submitted may not be re-entered unless there has been a significant change to the edit. Later versions of a film may be reviewed and/or selected at the programmer's discretion.
Short and feature-length entries are accepted.
Short films run no longer than 60 minutes. Feature films run 60 minutes or more.
Entries not in English should have English subtitles.
Works in progress may be submitted, but are juried in the same pool as all other submissions.
Work must be contemporary - completed within the last three years.
Entry fees are per film entered, and must accompany the entry form for confirmation. Entry fees are non-refundable.
Make checks and money orders payable to the Ann Arbor Film Festival.
The Ann Arbor Film Festival does not give waivers or discounts.
Entries are accepted via secure online screening and 16mm only. We do not accept DVD, VHS or video data files for screening purposes.
16MM
- If you would like the festival to preview a 16mm print of your film, please contact the festival directly at submissions@aafilmfest.org to make arrangements.

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Cameron Sackett

Disasters of Peace

AAFF alumni filmmaker Kamila Kuc presents Disasters of Peace at Whitechapel Gallery in London, England, at 7:00 pm on Thursday, November 29. This curated program features the work of more than 10 filmmakers, and several of them will be present at the event.

Kamila Kuc was well immersed in the 56th Ann Arbor Film Festival, where she presented a short film in competition, I Think You Should Come to America; participated in Off the Screen! events; took part in filmmaker Q+As; and presented Disasters of Peace.

Watch Kuc’s interview with the AAFF or get more information about the event.

Disasters of Peace

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